Review by www.postcardfromgibraltar.com
“I think the reason why I find the Literary Festival so energising and magical is that not only does it all take place within the small sphere but these clever individuals come all this way to speak to us about their work and do it in our everyday venues which my sons have done school plays and sung concerts in! Imagine if a big literary name came and gave a talk in your local village hall or church, it just doesn’t happen – except for here that is.
Last year, a number of my friends (who are also Mums) spoke very highly of Christopher Lloyd and his What on Earth? Wallbooks. This year was his third visit to the Gibraltar Literary Festival and this time he brought his newest books The What on Earth? Wallbook Timeline of Shakespeare and The Magna Carta Chronicle. The presentation I went to, along with my offspring, was The Complete Plays of William Shakespeare in 60 minutes… at the John Mackintosh Hall. The festival shows which are directed at children are offered free of charge and I can certainly say that the one we experienced was fantastic.
Presented by a man who is clearly passionate about his work and in front of the colourful backdrop of his Shakespeare wallbook, the audience of reception aged children through to grandparents were enthralled. From early in his presentation, Christopher Lloyd had the audience participation cracked, picking out children (and amazingly remembering their names) to help illustrate his points and bring the stories of Shakespeare’s 38 plays to life. He talked about themes which run through the stories they tell like ghosts and death, love, doubt and fear.
When he donned his trademark ‘coat of many pockets’ he engaged the young members of the audience by getting them to guess the emotions connected to the colours and find out what symbolic item lay inside; a rose to symbolise love (pink pocket), a magician’s wand to symbolise magic (black pocket) and confetti to symbolise happiness (yellow pocket).
After collecting an ensemble cast of willing actors (adults and children) he put on a couple of performances, a potted version of Macbeth and another of Much Ado about Nothing. A rather stunned couple of middle school-aged pupils got married in Much Ado and a suitably attired trio of witches in pointy hats got to cast the famous spell of “Double, double, toil and trouble/ Fire burn and cauldron bubble” from the Scottish play.
I can now see what my friends were talking about when they raved about Christopher Lloyd’s previous performances at the festival. He was funny, engaging and brought the things he was talking about to life, whether it was the Big Bang, the extinction of the dinosaurs or Bottom in Midsummer Night’s Dream being turned into a donkey. I do hope he returns to next year’s festival as personally I’d like to see him again, never mind the kids!”